fantastic man aka mic newman, from australia, based in berlin

the first release brings together a quartet of international producers who have piqued our interest in recent months, from australia to finland, via the uk and tunisia.

izy from australia

a project in support of the struggle for recognition and justice by aboriginal and torres strait islander people of australia. pressed on black vinyl.

ltd repress (around early december ) , lou karsh out of australia

the first release on jugaar records is from karachi boy rudoh and brings together five slabs of electro-breaks architecture primed equally for the dance-floor and headphones - including a remix from australia-based, salt mines records honcho, shedbug. enjoy!

a project in support of the struggle for recognition and justice by aboriginal and torres strait islander people of australia. pressed on bright yellow vinyl.

we welcome nick verwey aka dawn again to the houseworx family. the profilic househead from melbourne / australia will release train the house down in october 2020. 4 cuts full of soul in his trademark style.

limited repress! having performed across europe, south america, australia and russia, attanasio is well-versed as a dj whilst as a producer he is been releasing music for nearly a decade. however the last few years have been particularly pivotal for the italian whether releasing on labels like monnom black or his letters from jerusalem imprint, which has acted as a platform for much of his sought after tracks, including remixes by and, ancient methods and headless horseman. he now adds involve records to his discography, following appearances from artists like alignment, jks, fabrizio rat, and z.i.p.p.o.

ltd repress - this is the one youve been waiting for. first broken by claude vonstroke & justin martin in their b2b set at miami this year, ya kidding by fisher was the biggest track of the conference. the vocal says it all - movin on the dancefloor. a former pro surfer from sydney, australia, fisher’s debut release is already generating big waves with early support from pete tong, green velvet, eats everything, skream, latmun, and more. we also enlisted two mighty remixes from artists who have sculpted their own unique sounds-the red hot uk duo solardo and the mysterious up and coming, sébastien v.

belgian’s school is cool are back with a new album.

from australia to romania - 2 originals from thomas david and a direkt remix on vinyl only.

electro bombs from australia on andy garveys pure space label.

from australia to bitterfeld - 4 dark & twisted cuts from senate.

eluize from australia

australia is calling you

crimes of the future head to the other side of the world their first release from australia. paradise box is responsible for the killer reel nitty gritty on greece s highy repected echovolt records back in 2014 and in 2017 he joins the crimes of the future family with the hookup ep. two original cuts of fine and upliftying deep and tropical house music are joined by two very special cover versions like you have never heard before. an incredible ep working equaly as well in the club or on a sun kissed beach bar.

australia based brit jamie blanco serves up kilsha’s superb second ep and capitalises once more on a fine recent run of form.

double touch are van-anh nguyen and mark olsen from australia.

shedbug from australia is kicking off our newest release on deeptrax. four trax for the heads and for the floor. screaming acid with deep rhythms full of mesmerizing chords like these old detroit warehouse vibes meeting ultra dope bouncin beats going into dreamy breaks. all captured in sonic waves from this melbourne salt mine bloke on a heavy mythical mental mission.

scdd009 moves straight into the overtaking lane with skin on skin, from brisbane, australia. burning through red lights and 909s, sos takes us on a joyride through the backstreets of house with four murky bone-shakers. divided, each track on this propulsive debut is an unapologetic dance-floor anthem deranged samples, smoked-out percussion, fuck-you-up rhythm and a prominent early memphis rap motif. windows down for this one.

first of the year on butter sessions sees label heads sleep d return with their first solo ep since 2017. two unclassifiable, deep and euphoric bangers come out of the woods with elements of techno, idm and bass music. opening up the record we have u+zone a sweet and heart warming electro-cosmic force that takes inspiration from the deep ocean and the stark, spacious landscape of outback australia. emerging on the flip, centro turns the mood to the darker side with it s eerie chords and choir harmonies, held together with a monstrous drum and bass rytm designed for the freaks and geeks out there. pressed at 45rpm for extra fatness.

the beating heart of our annual summer gathering, subsonic music festival, is the paradiso stage from which this ep takes its inspiration. with a soundtrack from some of our favourite underground international & local artists, this ep represents just a slice of that unique place. on the a-side is the always incredible and globally respected alexkid & the man of the moment who is making huge waves after an amazing year of releases, stephan bazbaz. on the b-side we go deeper with some of australia’s finest boy wonder retza and the sophisticated minimal grooves of katie drover.

orion arm explores the universe of various producers from all over the world and delivers with this ep a taste of its influences. from the deep exotic mood of tsibili’s hamatsuki to the melancholic atmosphere of australia’s plantlife, we are proud to launch the label with this first oa release. also with the likes of the groovy hank youngman and the enigmatic domenick hunter, this va aims to push a new generation of producers to the forefront, ready to heat the dancefloor up, as well as healing hearts at home.

the second release of polarity records is characterized by old-school house influences with techno shades. the artist, andy rantzen, is an australia-based lo-fi electronic producer. trained as an academic psychologist, rantzen has been writing and releasing music for over thirty years.

kalita records and cc:editions (a new venture by australia’s cc:disco) jointly announce a 12” ep comprised of four of nana tuffour’s greatest electronic burger highlife tracks, accompanied by interview-based liner notes.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

a matter of concepts is a very personal selection of songs by recent, active underground bands and artists that we love at dwr. coming from the uk, us, the netherlands, canada, france, russia, australia and ranging from post-punk to coldwave to synth-pop to indie. fast paced and dancey or romantic and moody, there’s something for every soul here. we regard all of these songs as ‘modern instant classics’ and we bet that you’ll love them, too!! a matter of concepts is presented in a limited, hand numbered edition of 205 black vinyl copies housed in a matt sleeve with printed inner sleeve (credits / band pics) and including a download code. all songs have been mastered (or re-mastered) specifically for this vinyl release and its accompanying download.

andy hart launches a new series for voyage with two dubbed out club tools. neutron capture is a chuggy acid number with crisp drum programming, glitched out synths and a weighty 303 line. on the flip lftr offers up a hypnotic roller complete with reverberating stabs, crunchy hits and expansive textures. if this is a sign of things to come for hart s new outlet expect a string of club ready, dancefloor orientated cuts from australia s golden boy.

australian group retiree return to rhythm section intl in 2018 with a new record house or home. the musical project of matt crowley, tori holleman and marco vella retiree have steadily congealed their broad influences into a unique emulsion of strongly rhythmic and emotional music. from two releases, theyve been described as pared back 1980s comfort pop for all occasions, having a whole lot of criss-crossing rhythm containing swirling synth flourishes, languid wistful vocals and strutting drum machines. the albums songs explore the theme of house or home and what that means in present day australia for different people. they journey from an aboriginal tent embassy on the south coast of new south wales, a retirement village, a one room flat in ringwood and a sleepless 17 hour stop over in malaysia.

for its 4th release, piff records recruits from as far afield as possible, tapping adelaide-based subjoi who adds to his already diverse and sought-after discography. he presents a set of tracks that are somewhat of a departure from previous releases, employing a uk garage sound all the way from australia.

killer compilation that sheds light on oddball tunes made in australia and new zealand during the 70s and 80s. tip!

fresh off the back of their debut label release with archie hamilton and venda, subsonic music has delivered another sterling stripped back, dubbed out and groove based release from australia’s dylan griffin & chad b including a catchy interpretation by the internationally celebrated master of minimal sounds alexkid and an exquisite (vinyl only) remix by the critically acclaimed monika ross featuring her trademark groove.

limited, vinyl only, label from melbourne, australia blowing over from the west comes hame djs debut on vulcan venti, with three tracks carefully constructed for the discerning disc jockey. stretching out over dubby breaks and tranquil textures, this is one twelve inch youre sure to get trispy to!

a compilation of minimal wave from around the world (1980-1991), the bedroom tapes features rare, unreleased, and licensed tracks all the way from belgium to australia to japan. the bedroom tapes excitedly marks minimal wave’s 66th release and is a follow up in the series to the lost tapes, the found tapes, the hidden tapes and of course the minimal wave tapes.

rÜfÜs chart topping debut album, atlas, gets a much-needed worldwide release, having only been available in australia up until now. featuring the much loved singles take me and desert night , atlas debut at #1 was a testament to the band s passion, work ethic and diy approach to music. a labour of love, the album was written, produced and recorded by the band between two studios they built themselves - one in a remote farmhouse on the nsw south coast, the second in a hollowed out water tank under one of their parents houses. “their sound cannot be likened to any other act- - ***** acidstag.com “australian indie-dance juggernaut rÜfÜs are poised for a worldwide breakout. the trio has already released four eps, put together a string of remixes and gone on multiple sold-out tours of australia… nobody can deny their infectious results.- - mtvhive.com

vinyl only , ltd one off pressing ....
-he has been described as one of the greatest net players of all time by sport australia hall of fame.-
...no, it s not him.

4 track ep with a remix by sfv acid & other by roza terenzi. good music from la to australia.

australia based artist inkswel is widely known for his funk infused dance music that incorporates ingenious sample work and memorable vocal cuts. for the ninth installment of the pulp series the edible pyramid ep is a journey through the mind of the australian artist. the package includes a melancholic remix by no one else than long time champion of vinyl and red motorbike label boss eddie c.

best effort records jumps out of the box with their inaugural release ’number one’ - a selection of tracks that celebrate friends making music together. cold emotion are danny wild and rory stenning. the duo explore improvised club music using various keyboards and modular synthesisers. “toast” is a track taken from an extensive live recording session from 2015. accidental cv messages create unexpected cyclic baseline patterns while keyboard melodies float freely above jacking modular beats. the result is an imperfect, inspired club jam ready for any occasion. -cantao- pitches things down from the hypnotic frenzy of -toast- to offer a unique hybrid between computerized dub, subaquatic g-funk and triphop ambiance. canadian content! -manipulate me- is a collaboration between ivy barkakati and phran. the stark, alienated quality of ivy s spoken vocals & dark subject matter sounds even more claustrophobic and sinister backed up by the duo s frigid machine-funk, which is more in the spirit austere & icy 80s coldwave than modern house music. metric systems are a duo from somewhere in australia. the fathoms-deep -adaptation dub”, recored in 2009, is reminiscent of australia s after-hour dub technicians sheriff lindo or andy rantzen. look out for a full lp later in the year

following up lou karsh’s excellent “ataraxia” ep we’re hitting up australia once again, such is the level of burgeoning talent down under. this time it’s the turn of sydney native e davd.

2018 repress dope new boogie straight out of melbourne, australia. tip! fronted by long-time collaborators françoise dargent and benny badge, so good to you showcases an evolution for silver linings and the duo s signature soul-boogie sound.

the 3rd studio album from australia’s 5sos.

irenic003 is a cooperative effort by roger gerressen and his well known accomplices sinan alakus and ivano tetelepta. disc one is a collection of novio dub tribe tracks accompanied by an amazing remix by the incredibly talented udmo from australia. known for a string of well received and beautifully produced ep s on analogue attic, udmo took the original and did a nice stretched out rework for the early hours. on the second disc we find a few tracks from the vaults, two raw recordings by ivano tetelepta and roger gerressen and a track done by the labelboss himself..

for its third release, here to hell welcomes melbourne (via adelaide) veteran, rambl, and his incredible groover “doss”. this third release on the label happened purely by surprise, and what a discovery! the track itself is no accident, but the signing took place after a chance encounter. richard campbell aka rambl, who is one of melbourne’s best and most consistent djs since the last two decades, had developed a small cult following of viewers via facebook, where he had been providing live video coverage of australia’s wild weather in a kind of comedy-weatherman format. once these updates caught our attention, the magical facebook algorithm placed all of his content at the top of our feed.

norm de plume has been quietly making a name for himself the last eight years with remixes for tornado wallace and ben la desh and ep’s for kolour ltd and his own vinyl only imprint plumage winning him a solid following along the way. his passion for all things disco and deep, dubby, underground house inspired by his musical hero ron hardy feeds through into his production style as well as his recently formed peaches & prunes party which boasts an audiophile sound system and vinyl-only sets from the djs. so when the opportunity arose to do a full ep with norm we jumped at it. here we present you with the castlecrag ep, a nod to the londoners new adoptive home of sydney, australia, and whilst his sound may be more akin to the recent musical movements of melbourne, the laid-back sun-kissed melting pot of the harbour city certainly shine through in the two originals and folamour remix on offer here.

western australia s red ember records is back from another archive diving adventure. -embers only : swan songs- presents four previously-unreleased, deeply emotive cuts by ewan jansen written between 1999-2000. the lead track swan marks the dance-floor tone in the collection with a hypnotic pseudo-electro groove sky lined by cathedral-like chords. following on, sea for yourself reaches into deep minimal house territory with a powerfully gentle, piano topped, 4/4 approach. on the flipside, the earnest and leafy love machine is drawn down the proverbial path, dropping broken beats and inhibitions along the way. the collection is signed off with the ambient chordal wash of afterlude ... an introspective repeater equally on call for any early morning after party or your final few waking moments.

jb edits the edit project of sydney, australia based house dj & producer jerk boy. he’s now turned his focus to vinyl only dance floor edits of all his favourite boogie, balearic, funk, soul & disco tunes cut, sampled, tried and tested for lower lights, bright nights and the ultimate dance floor jiggathon.

efficient space is honoured to share the little-heard recordings of three yolngu songmen from northeast arnhem land - bobby bunnungurr, jimmy djamunba and peter milaynga (d. 2007) - working in collaboration with victorian musician peter mumme. yolngu are the indigenous peoples of arnhem land in northern territory, australia, their clans are the marangu and malabirr, the languages djinang and gannalbingu. their songs are of instruction, story and ceremony.